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Outdoor Daytime Projection – LED Screens or Projection

colossovision projection or LED screensIs ROI that important to an A/V company that potentially engaging the wrong piece of display equipment supersedes the clients best interests in deploying the right technology for their event ? After several similar calls in the last two weeks I decided to share this with others.  Once you finish reading this post you’ll see why I made the comment of ROI.

I received a phone call from an event planner asking for prices on LED screens for her clients event. Her call was interesting in that her client has a preferred A/V supplier, who she felt uncomfortable with their recommendation of employing projection at an outdoor daytime event. So, she came to us to confirm if video projection is something that should be considered for an outdoor event during the day. I must give her kudos’ for taking the time, doing her homework, and having the professionalism to ask questions.

Here’s what she gave me for specs for the venue

  • 40ft wide x 80ft long tent
  • Tent material is white – single layer
  • lots of doors on the wall part with clear plastic windows
  • Presentation takes place at noon.
  • Screen size 25ft wide x 14ft high

In speaking with her she mentioned the A/V company promised her client a clear and bright display using a 20k lumen projector. In challenging the A/V company’s claim, she mentioned LED screens would be the best solution for the ambient lighting conditions within the tent. Instead of agreeing with her, they told her their projection would equal the quality in brightness to the LED wall as the event was in a tent. Wrong! Before I continue on, I want readers to know that ColossoVision rents high intensity projectors as well. Rented these puppies for years. Therefore this article isn’t about giving preference to LED screens over projection. It’s about selecting the right tool for the job.

There is a time and place for each of the technologies. This is why we ask questions ensuring we don’t suggest or provide the wrong display solution. In this case, outdoors in the daytime should be a huge flag for any A/V provider that projection is not the best solution.

The following is but a small sampling of the questions we ask.

  • Venue! Is it indoors or outdoors
  • Content to be displayed
  • Ambient Lighting Conditions – Can the ambient light ( spill ) be controlled?
  • Size of display
  • What real estate is available for the screen installation
  • What is the show and theme
  • Setup time / Strike time
  • Power
  • Budgets

Referring to the above screen which is 25ft wide and 14ft high, the total viewing area is 350 sq ft. …
Using the A/V companies 20,000 lumen projector, and assuming there is no light loss in optics, there would be 57.14 lumen per square foot of projected light intensity. How do we arrive at this figure?

20,000 lumen / 350 sq ft. = 57.14 lumen per square foot

I realize there are a number of screen surfaces such as glass beaded, rear projection, high gain, and others. For the sake of this example I’ll refer to flat white matte which is the norm at most events. Regardless of which type of screen is employed, ambient light is a reality and something to take into consideration when selecting a display.

A screen not only reflects the projected image but the ambient light in the room as well. Thus, the A/V technician must take into account the value of the ambient light reflected off the screen and determine if the projectors intensity will have the required results the client will be happy with. To overcome the high ambient light levels, some companies will go as far as double stacking projectors to hopefully accomplish a higher gain on the screen. You may see the beginnings of an image where black levels are high and the image looks milky. Is this what you want for your client?

So , going back to the comment from the A/V company they can provide an equal solution using projection is not correct.

Here’s the math and short explanation for those interested.

  • Projected image is based on units of measure – Lumens ( reflected light )
  • LED screens are based on the units of measure – NITS ( direct light )
  • 1 (one) NIT of direct light = 0.09290304 Lumens of reflected light
  • Screen image area in this post – 350 sq ft. ( screen size client wants for the show )
  • Average LED tile ( screen ) brightness – 5500 NITS resulting in 510.97 Lumens / sq ft using the formula above
  • Projector lumens that would be required, based on screen area, and resulting lumens / sq ft = 178,000 lumens

The results are clear!

The argument can be made that LED screens are not high enough in resolution and as such the content would be affected. True! However with the size of the screen in this example, LED is a strong contender as a solution which will deliver a true high resolution product.

Have a gander below at the two LED pixel pitches that will work

  • 6mm SMD – 2000 pixels wide x 1066 pixels high ( offers more pixels than HD 1080 )
  • 10mm SMD – 1200 pixels wide x 640 pixels high ( fall just a bit below HD 720 )

High intensity projectors were not developed for daytime use outdoors! They’re awesome at night when the sun has minimal to no effect on the screen. These projectors are also the solution for indoor events where stage lighting has the potential of affecting the projected product.

There are other factors in selecting the right technology. The one that will have the next immediate affect is budgets.  Having said this,  a 350 sq ft LED screen is no longer the huge expense it once was. You may be surprised by the time you spend the money on multiple projectors, darkening the room with blackout curtains and material, and the time to set this up, the dollar values begin to add up too. What is the costliest? Not achieving the results the client is looking for.

In closing, and going back to my comment of ROI. The event planner informed me the A/V company wouldn’t entertain LED as they had to use their existing inventory to make this happen. It wasn’t about providing the right solution, it was about moving their own product.

ColossoVision is Hiring!

ColossoVision_Heritage Hockey Classic 2011 Calgary _ 027colossovision01

ColossoVision, a Canadian supplier of Indoor/Outdoor Mobile and Modular LED screens,  is looking to add to our team in Calgary , Regina and Moncton.

Qualifications and Requirements:

  • The candidate we are looking for must have experience in customer service and enjoy dealing with clients.
  • Technical experience with LED screens and live video production support
  • Will be able to troubleshoot under pressure
  • Experience with live events, concerts, festivals, and corporate
  • Knowledge of media servers
  • Basic knowledge of rigging
  • Basic knowledge of electronics
  • Must be able to integrate our technologies and services with other providers and companies our Clients engage for their events.
  • Must have computer skills.  Mac preferred but will train.
  • Software knowledge – Windows office, Excel, Power Point
  • Travel is a part of our industry and therefore must be able to potentially sustain long periods of being away from home.
  • Clean Drivers Abstract
  • Must be willing to drive trailers and or large trucks.
  • Must be flexible and willing to adjust to changes.
  • Have a current passport
  • Shall have no fear of heights
  • Loves to work in sunshine, rain, heat , and even the odd cold day.
  • In good shape
  • be able to sustain long days
  • Not afraid to help clean and maintain equipment.
  • Last but a part of the list!  Doesn’t mind grabbing a mop or broom in keeping our warehouse clean if and when requested.  This also goes for keeping our sites at events clean too.

ColossoVision offers you

  • An enjoyable team atmosphere with on going training which is essential in keeping you up to date on equipment and practices in this industry.
  • The best in technologies to work with.  We will not ask you to work with inferior offshore imported products which are beginning to appear at events .  What you will work with is quality LED products and production equipment, which are safe, and manufactured by leaders in the industry.  Suppliers and manufacturers such as Theatrixx, XVision, Barco, VisuaLED, Newtek, Tricaster, and more!
  • A competitive compensation package which reflects your skillsets

ColossoVision understands your success and ours is based on a team effort.

Please send us your resume to led@colossovision.ca 

Thank you

 

 

 

Roughstock Rumble meets the Best Stock in LED Screens

roughstock_calgary_colossovisionTwo days of rank stock and the worlds most talented rodeo riders in the industry perform live in Calgary on April 12th and 13th.  ColossoVision is pleased to be a part of the 1st Annual Calgary Roughstock Rumble where we are providing screens and live action coverage of the saddle bronc, bareback, and bull riding events.

ColossoVisions xVision LED screens will deliver the live action, replays, advertising, interviews and other content during the Rumble. Watch the closeups on our high resolution screens as the bull rider tests his nerves against 1700 lbs of  raw energy.

This is a family event full of thrills and yes some spills.

Location:
Calgary Stampede Corral

Tickets are available at Ticketmaster where you can purchase individual, VIP, and Family Passes.

ColossoVision provides high quality LED screens manufactured by leaders in the industry. No knock offs that are beginning to appear on the market!  Only the best as we invest in our clients by providing LED tiles that meet or surpass industry technical and safety standards.

Whistler hosts Luge World Championships

corner16_luge_whistler_colossovision600pix

ColossoVision was excited and thrilled when awarded the opportunity to provide its LED screens and secondary infield production support for the Luge World Championships in Whistler BC.  “Our company has provided screens for the World Cup Luge since 2006 and has had the opportunity to watch the growth of the athletes into world class competitors.  Back in 2006, some of the Canadian competitors were forerunners and today they are competing with the best Luge athletes in the world!” says Andy Soltesz, President of ColossoVision.

In hosting this last World Championships before the Sochi 2014 games, Whistler wanted to “Spruce up the spectator area with some massive video screens”  giving spectators an opportunity to see the race from the start to the finish.

Part of the plan was to re-create the visual impact from the 2010 Vancouver games.   Here is what ColossoVision provided

location_of_screens_whistler_colossovision

Location of the Screens and infield production

1 -  VisuaLED ST118 screen      21ft x 11ft    Corner 16  -  Trim height 16 ft off ground
1 -  XVision 10mm DIP              21ft x 11ft    Finish Line
1 -  Barco B10 mobile                 9ft x 12ft     Bleacher area
1 -  Tricaster HD 850
3 -  LG 50″  TV’s and stands
1 -  Video distribution system
1 -  Live twitter feed for audience participation
1 -  Integration with the live television host broadcaster
1-   Assist in the creation of Sponsor, Supporter, and Supplier recognition slates

Vancouver crew led by Martin Jordanov

st18_corner16_whistler_2013_luge

VisuaLED ST18 Screen at Corner 16

xvision_whistler_2013_luge

XVision 10mm at the finish line

 

 

 

 

 

 

 

ColossoVision would like to thank Luge Canada and the wonderful team we had the opportunity to work with at this event.  It is always a pleasure to work with a professional events team.

A week prior to this event, ColossoVision provided support to the World Jr. Luge competitions in Calgary.

ColossoVision is 100% Canadian and we are always proud to support our athletes!

 

Related Stories:

Canadian Luge Association

Men post best-ever Canadian results

 

Race the Base 2012 is a success!

Race the Base Cold Lake Alberta 2012 - 87_wm_colossovision

In Military time it’s 1600 hrs and our trucks are lined up in a convoy in preparation for entry onto the airfield for the 2nd installment of Race the Base in Cold lake Alberta. Two escort vehicles’ arrive and accompany our eight trucks, one by one, onto the airfield. For the technicians who didn’t have the opportunity to see the airfield during July’s’ site survey, they were amazed at the sheer size of the venue. I could tell by the looks on their faces, but they were excited and looking forward to the challenge.

Race the Base is labeled at the Ultimate performance showdown. Ultimate performance was very important for ColossoVision when it came to video and audio support. Truckloads of high performance  video production, Modular LED screens, Mobile LED Screens, and Audio resources were to be deployed for the second edition of Race the Base. ColossoVision made sure everyone attending the race would have good sight-lines to the screens and have the ability to hear and understand the audio.

Round two was bigger, better and included new thrilling elements such as the “Wet Drift Challenge” and the “Freestyle Donut Contest”. These additions meant two new zones were added to this year’s event that required more video and sound support.

Screens and Sound were provided for the following areas (approximate size of areas included).

  • VIP                                                                                        80,000 sq ft of area
  • Main Spectator along the taxiway                                360,000 sq ft of area
  • Spectator zone for two new events for 2012               120,000 sq ft of area

Video Production included the following:

  • Coverage of races on the 12,000ft runway
  • Informational packages
  • Commercials / advertising
  • Rider information
  • MC’s

Time available for setup: 18 hrs. – non stop continuous .

I remember the first time I approached our management team and told them about the time allocated for the install. They all went silent.   From a technology perspective, the installation of the equipment wasn’t the concern. The time available was! With nearly 500,000 sq ft of venue to work with , not including the 12,000ft runway, we had some concerns at first. But working as a team we developed a logistics workflow and felt we could very well accomplish the deadlines the military presented us.

Although Race the base is a public event, 4 Wing is an operational airforce base, and its main function could not be forgotten or altered as national security is a reality. The limitations that were imposed on ColossoVision and PK Sound while setting up were understandable. A challenge both companies looked at as small bumps in the road. We were determined to meet the deadline of a  noon opening the next day for “Race the Base”.

Race the Base Cold Lake Alberta 2012 - 43_wm_colossovisionJoining ColossoVision and PK Sound were 12 military volunteers, several drivers, all of whom were incredible, positive, and excited about helping from the moment equipment was unloaded till the completion of the install.

As all installs go, there’s always the potential of a small glitch that adds another minor bump in the process. The glitch in this case was bad weather moving in north of Cold Lake. While installing the screens and sound, we watched the light show off in the distance generated by nature. The entire crew hoping the impending storm would pass, but it wasn’t to be. Lightning, heavy winds, and monsoon like rain forced the installation to stop and resume the next morning. Postponing the installation was a smart move for safety reasons. None the less we were concerned about meeting our deadlines.  The storm and rains were not going to let up for the night. We were about to loose six hours from our time table for the install. Management met to discuss the deadlines and remaining work that was to still to be completed.

It’s 0630 Friday and the trucks are once again lined up outside the airfield awaiting escort for entry. ColossoVision, PK Sound and the Military volunteers knew the mountain we had to climb, and that we all did. Sound, Video Production, and Screens were all ready for the first race and we were on schedule!

This was not a traditional installation. Then again, non-traditional installations are something ColossoVision and PK Sound have experience with. Accomplishing this near impossible task was all possible with the help and support of an incredible team of volunteers from the base. Regardless of how wet, cold, or inclement the conditions were, every one of the Volunteers had a smile on their face, and were always ready to lend a hand. Thank you!

In the end, there were some important winners in Cold Lake.   The ” goal of this event is to support the 4 Wing Morale and Welfare Fund and to raise funds for select charities including the Canadian Forces’ Soldier On Program, the Cold Lake Food Bank and Hearts for Healthcare Cold Lake”.

Photos on Flickr

Rock the Peach Penticton BC

July 27th – 29th ,  Put these dates in your calendar as Penticton BC is about to become the hottest city in Canada for the weekend.  Rock the Peach Music Fest, in it’s debut year, is about to crank up the heat with an incredible lineup of bands.  “Besides the quality of the performances, iRock Entertainment Inc. has put together an all Canadian production team which is second to none.”   ColossoVision is proud to be a part of this team with our mobile and modular LED Screens !   In addition to screens, ColossoVision will provide live Video Production and IMAG for the audience.   Please consider your support for the 1st Annual – “Rock the Peach Music Fest” on July 27-29,2012. Become a part of this exciting event!

 

Race the Base the ultimate Speed Weekend 2012

It’s Back! Round Two. The ultimate Speed Weekend


Ferari Enzo vs CF18 Hornet….. Who will win this decisive drag race?  The only place in North America, Cold Lake Alberta, this race will take place.    “ This is going to be nuts” !

Race the Base is the Ultimate Top Speed Challenge & Extreme Motorsports Event. If you want to see wild & modified: Lamborghini, Ferrari, Maserati, Porsche, BMW, Mercedes, Audi, Jaguar, McLaren, Aston Martin, ZR1, Viper and custom Tuner Cars pushed to their limits, then you will not want to miss this Mind-Blowing event.

This year you will witness the World’s Fastest ZR Auto  FXX Enzo, 1500 HP Lamborghinis and an MC12 Corsa vie for the title of Top Speed King. You will see more tire smoke and action than you ever thought possible. Where else can you witness CF-18 Fighter Jets racing exotic cars – all for charity. Do not miss the Best Top Speed Event in the World: Race the Base 2012 held at CFB Cold Lake, Alberta – Aug 24-25, 2012.

New for Race the Base 2012 is an incredibly expanded spectator experience. With a total of 5 unique events spread around the Air Base Tarmac, Spectators will enjoy unprecedented access to competitors and their unique high performance vehicles.

High performance cars and jets won’t be the only technologies you’ll experience at Race the Base. The spectator experience will be enhanced with the visual support of four large Modular LED & Barco Mobile LED screens and live video production provided by ColossoVision, a leader in LED screen technologies. Joining ColossoVision will be another high performance award winning company, PK Sound ,with their state of the art sound system.

ColossoVision is pleased to provide these technology resources to this charity based event as sponsor and supplier.

 

 

 

Spectator Information

 

 

ColossoVision Canada providing LED screens to ” Buy Canadian First “

Buy Canadian First Logo

Buy Canadian First’s newly launched LED Media Division answers their clients’ needs to promote Canadian products and services beyond the web.

ColossoVision Canada would like to thank Buy Canadian First for the invitation to partner as their supplier in the newly created LED Media Division. Vicki Dupuis, President of ColossoVision Canada says “it is a privilege to partner with Buy Canadian First, and support their mandate to exclusively promote Canadian-made products and Canadian companies”.  Launched as a website in 2008 by company founder & Managing Director, Isabelle Remy, Buy Canadian First¹s mission is to promote Canadian companies, their services and the products they make right here at home. “Three years later, the company has evolved into a Marketing & Advertising agency specializing in Made in Canada“, says Isabelle.

“This new LED Media division is dedicated to promoting Canadian companies across the country through the use of giant LED screens strategically deployed in high-traffic locations during specific time periods”, says Mohsin Siddiqi , Director of Operations and Sales for the division at Buy Canadian First. He also says Buy Canadian First’s “experienced team is dedicated to developing successful marketing solutions through highly-specialized and cost-effective concepts.”

The future is bright, and opportunities endless, for Canadian Companies to promote their products. ColossoVision will be working with Buy Canadian First to offer branding and advertising opportunities beyond the street. “There are more opportunities outside of mainstream media to create awareness. At this time we are already in negotiations with nearly a dozen events across Canada who are interested in engaging the services of this new LED media division”, says Andy Soltesz co-founder of ColossoVision.

By partnering with Buy Canadian First, ColossoVision can offer events with limited budgets the opportunity of using screens for their shows. In turn, Canadian companies have the opportunity to create awareness of their brands at events all over the country.

To be clear, “buying Canadian first does not mean buying Canadian only”, says Vicki. “ColossoVision understands that Canadian companies must remain competitive to keep your business. The supplier you seek can’t just rely on your soft heart and patriotism. They must also have the resources to meet your
demands. Thankfully, the talent pool and resources in Canada are incredibly rich and dynamic.”

ColossoVision is a proud Canadian supplier of high quality  mobile , modular, and creative LED video screens to events in North America.  Over the years, the ColossoVision brand has become a recognized trademark that provides our clients with the guarantee they are teaming up with a trustworthy and experienced supplier.

ColossoVision Mobile and Modular Screen Installations – Safety Part I

With the recent stage collapses, ColossoVision has seen an increased awareness by event planners, producers and clients regarding safety.   In the last week we have fielded many inquiries regarding the safety of our screens, structures and installations.   The concerns are justified and we understand the need to ask.

In response to some of the concerns, I provide the following information for both our mobile and modular LED systems.  Before I continue,  I would like to mention the greater majority  of the events, producers, suppliers, volunteers, who are associated with the outdoor events where staging, rigging, screens, sound , lighting is concerned, take safety very seriously.  Safety is paramount for us as it is with the many companies we’ve had the privilege of working with.    Therefore this piece is not written with any intent other than to answer questions we have been asked.

Mobile Screens:

All of our mobile screens have been manufactured by Barco ,  a leader in LED screen manufacturing and engineering.   When Barco designed the Barco B10, safety was one of the key features along with quality.

Should adverse weather conditions develop , our mobile screens can be lowered from its trim height within 30seconds to minimize the dangers of high winds.   This is a very important safety feature for reducing the probability of problems.

I will also note that Barco is not the only manufacturer of mobiles which stands firm on safety .

So, how does one know if the mobile is safe?  Here are a few key items to ask for

  • Does your supplier have approved specifications from an engineer for their mobile?
  • Is the mobile certified?
  • Does the mobile have proper outriggers or stabilizers?
  • Ask your supplier if they have full coverage / insurance on the mobile.  Most insurance companies want to know what they’re insuring.
  • Does your supplier have proper workers insurance in place? Not the same as equipment or liability insurance.
  • Ask for references and don’t be afraid to call them.

Temporary Structures:

Trussing and scaffolding that is engaged in the rigging of  our screens is manufactured  by industry leaders who have engineering specs on all of their components.   Whether we buy the materials or rent them,  all of the structural components must meet engineering specs.

Having this information available to ColossoVision is very important as we in turn have all of our structures built with truss, scaffold or other materials, approved by an independent outside engineer.

Our structures as approved for building includes considerations for-

  • Wind pressure rating of 0.5kpa ( equivalent to 100km/hr gusts ) with a factor of 1.25 — This rating can be increased to comply with local or regional codes as required.    But this is our minimum.
  • Load distribution
  • Quality of materials used for building the trusses or scaffolds
  • Counter weights and types where needed
  • Support wires if required
  • Support or rigging crew for installation and dismantling.

I would like to take a moment to mention there are no judgments made or directed at anyone, company, or event in this writing, and I’m hoping we can all learn from the tragedies that took place.